Permanent, Forever, Rush

Rush recording their album Permanent Waves at Le Studio, Quebec. Photo by Fin Costello.

Some loves are too big. These are the kind that affect you so completely, so profoundly, that to talk about them becomes daunting, almost embarrassingly difficult.  So it is with me and Rush, the Canadian prog-rock trio, my most constant and enduring musical love. But recently, in the context of what may be Rush’s last big tour (or tour, period), I was given the chance to talk about them on the radio. It was a gift, and the person who so kindly gave this gift to me probably only has a small idea how special this was for me.

Whiplash Offers a Dazzling but Flawed Tune

When I was 18 years old, I quit university to dedicate myself to music exclusively. I had been studying piano and cello since I was 8 or 9 but had only gotten more seriously interested, if not confident, as I got older. I studied at the Conservatory of Music in Maracaibo (Venezuela), a revered institution among all musicians in the city. Apart from some serious heartbreak that I was going through at the time, those months of intense focus and dedication to my instruments were some of the most satisfying of my life. I gave myself a rigorous practice schedule and took to it almost immediately. Discipline can give you great pleasure, in particular through the feeling of mental and physical control it gives you. Every day, the slowly won victories–mastering a difficult exercise, moving from painfully learning a piece to being able to play it with feeling–gave me hope and kept me going.